THE GODFATHER
The start of
this scene fades in from black to the setting, this is done to highlight a new
event or day is taking place. In this scene mainly cuts were used as 2 people
were speaking, this was to show each character speak from and over the shoulder
shot. There’s a jump cut through this scene when the two men are shot at the
table, this is done so the audience can focus on this quickly. This allows the
audience to see what is happening being a surprise/shock inclining them to pay
attention. The cut to the bathroom is done to show a change of setting and the
events that are going to take place in there. The lack of editing is done at
this bit to show Michael looking for the gun that was planted for him. This is
to show him searching for the weapon which is going to be used to kill the characters
at the table. This is also done so the audience grow attached to Michael
keeping them focused on what is going to happen and what he’s looking for. The
cuts are used whilst Michael is in the bathroom to show what the other characters
are doing at the table showing all the characters. The end of this scene fades
out to black indicating that the scene is over or the end of the day. The pace of
the editing is of normal speed as Michael and Sollozo are having a conversation
at the table. The conversation is naturally flowing and each character says
what they need to, which is the reason for the editing to be at this pace to
create a realist feel about it. The cut scenes speed up when Michael pulls the
trigger it cuts to the character that’s being shot then cuts back to Michael holding
the gun. There is an
eyeline match when Michael is talking to Sollozo at the start of the scene
before speaking. This is also done again when Michael comes out of the toilet
and both characters at the table looking back at him to see what he’s doing. This
creates an image for the audience that both characters think something may
happen to them and are being cautious by keeping an eye out on Michael.