Monday 30 November 2015

Preliminary exercise evaluation




The plan helped us to carry out this task as we had a clear understanding on what the characters need to say and the shots that are required for the clip to be effective. We struggled with some parts as the script was done later than expected making it harder to know what was needed to be done. This made it difficult as a clear story line wasn't produced meaning not all shots were planned in time. When the script was produced it was easier shooting the clip as the characters knew what dialogue to say and we had a clear story line to follow making the shot-list and story board easier. The shot-list helped us with the clip as we had a chronological order to do things in which made everything easier to do. The problem we had was that certain clips had to be shot again as there were people in the background of the clips and this didn't look professional.  The story board was also effective as we had an idea of how the clip would look and how each shot would be effective, if something didn't work we would have been able to seen with the storyboard so we could change this or play around with it which helped us get the order of clips. On the other hand the storyboard needed improvements as it didn't give a complete representation of what each shot was going to be like. The images showed needed more details to be added such as the background/setting as this is seen to be one of the crucial parts of film.

The thing that I found to be the most effective in this clip was the camera shots that were taken; they worked well with the effects and music that was played alongside it. The dolly shot that was used was effective as it showed all 3 characters and made the situation more dramatic as the focused changed from the main protagonists to the villains. Another strength of this is that the varieties of shots delivered were very much on point and came out great as there were no ‘shaky’ camera movements. The effects that were used worked well with the idea of the main protagonist waking up in a daze figuring where he is and what is going on, this was useful as the audience can identify something has happened previously in order to get to these scene where the protagonist wakes up. The low camera angle that was used fitted well with the scene as it provides the audience with the knowledge that the main protagonist is the one who possess power which was identifiable later on through the clip. The acting of the characters was also realistic and was if something was going towards as the clip progresses.

There were also some negatives in this clip; the main weakness was that the clip didn't follow the brief at all meaning we lost marks. This was crucial as in the actual task following the brief is important. Another weakness was the distortion on the clip and the music that was played over the dialogue in the scene; it made it harder for the audience to hear what was going on meaning the story line is also harder to follow. There should also be no music played when the characters are talking if not minimal so that the characters are understood and the dialogue is then clear. Although the effects used at the start of the clip where useful it was overwhelming where the first few seconds had just been consistent edits. The dialogue was also a bit short meaning a clear understanding of what was going on was clear but could have been in more depth if a few more sentences were added towards the dialogue.  The location could have been changed to make the scene more effective rather than being inside. A few more camera shots would have been beneficial as it would give us more of an option to add more shots that could have provided a more realistic feel to the clip. 

Tuesday 24 November 2015

preliminary exercise planning

Script: 

INT. OFFICE BUILDING

FADE IN:

A YOUNG MAN, 17, IS SEEN LAYING ON THE GROUND WITH GREAT DISCOMFORT, BODY HALF SHAKEN, EYES TWITCHING AND SWEAT RUNNING DOWN HIS FACE. HIS CLOTHES ARE CASUAL BUT HIS WATCH IS NO LONGER TICKING. 

PUAL
PARTICIPANT 429... WONDERFUL.

LARRY
THERE IS NOWHERE OUT, DO YOURSELF A FAVOUR A COME WITH US.

PARTICIPANT
YOU'RE WRONG. (STUTTER) THERE IS SOMETHING, SOMETHING WE AS HUMANS SIMPLY UNDERSTAND - TIME.


FADE TO BLACK.

PRODUCTION: "OUTSET"
RUNNING TIME: 35 SECONDS
ASPECT RATIO : 16:9

DIRECTED BY:
ALAN BRZEZINSKI

CLAPPER LOADER: TARANJIT PANESAR

CAST: 
AARUN SAINI - PARTICIPANT
AKASH COCO SHARMA - PAUL
REHAN ALI - LARRY

MUSIC: SPEAK WE'RE LISTENING - RYAN TAUBERT
(Extracted from full version)

EQUIPMENT:
Nikon D3200
35mm 1.8
70-300mm 3.4
Manfrotto Video Tripod w/Fluid Head
Newwer Tripod Dolly
Rode Videomic.


SLATE REF
SHOT TYPE
DESCRIPTION
1A
CU
Participants face is shown in distress as he’s lying on the floor
1B
ECU
Participant’s eyes are shown with a blur over them.
1C
ECU
Participant’s clock is seen still with its seconds not moving at all.
1D
CU > MS
He stands up with medium pace as the dolly pulls back from the ground to a standing position.
2A
MS
As the participant stands there he visualises the past events that occurred before he woke up. As his visions start to end we hear footsteps getting louder and we see the framing normally once again.
3A
MS
This shot continues from the previous one. We now drag with the dolly to reveal the characters where the participant is facing.
4A
Pan + MS
Paul and Larry confront the participant. Camera pans when Paul finishes speaking and focuses on Larry.
4B
CU
The participants reaction is seen
5A
LS
We see the characters together in the shot.
6A
MS
We see the participant give his short speech, he takes out a strange metallic object, presses his fingers against it and disappears – FADE TO BLACK.

Tuesday 10 November 2015

Film Language test learner response

Q1. The mise-en-scene suggests that the killer is secretive and deceiving. The clothing that the killer was wearing was a long black overcoat and a hat. This is done to hide his identity as a killer doesn't want to be discovered, this is highlighting the killers personality to be mysterious. The low key lighting is usually used in the Film Noire genre as it suggests criminality which synergies with the killer as the low-key lighting shows criminal behaviour and a lack of identity to cover up his crime. The gun the character has shown his dominance and killer instinct, this also fits in with the dead bodies at it could also suggest that he has killed everyone on the boat. It could connote that he is a gangster or criminal of some sort. The use of the boat could mean that there was a deal or meeting that was meant to take place but the killer having the gun murdering everyone shows his power as he killed multiple people. This links back to his criminal identity as the gun suggest he's a criminal and the events that have occurred also suggest this. The characters slow pace walking towards Keaton identifies his dominance in the situation as he is taking his time to walk up to Keaton as he's in control and feels that whatever happens is inevitable.

The mise-en-scene portrays Keaton to be weak and vulnerable. The clothing that is worn by Keaton is beaten down and dirty which implies he's been a fight or accident of some sort. He is made to look defeated and beaten up as the killer is the dominant one between the two. The flames behind Keaton conveys that he has been involved in the incident and also the use of the dead bodies suggest something has happened which has lead to the fall of Keaton giving the killer a boost in dominance. Keaton uses the matches to cause a fire which is giving the impression he has no strength in him and suicide is the only option as he doesn't want to be killed by the killer so he can keep his pride. Keaton doesn't move when the killer walks up to him after the flame has been put out, Keaton accepts death as it is inevitable that he is going to die.